机读格式显示(MARC)

• 000 01949cam a2200301 i 4500

• 001 0000836693

• 005 20250908134200.0

• 008 180720t20192019caua b 001 0 eng c

• 010 __ |a 2018034894

• 020 __ |a 9780520299382 (cloth : alk. paper)

• 040 __ |a CU-S/DLC |b eng |e rda |c CU-S |d DLC

• 043 __ |a n-us---

• 050 00 |a KF4288 |b .K44 2019

• 082 00 |a 344.73/097 |2 23

• 090 __ |a D971.2/X4

• 093 __ |a D971.2 |2 5

• 100 1_ |a Kee, Joan, |e author.

• 245 10 |a Models of integrity : |b art and law in post-sixties America / |c Joan Kee.

• 260 __ |a Oakland, California : |b University of California Press, |c [2019]

• 300 __ |a x, 310 pages : |b illustrations ; |c 27 cm.

• 336 __ |a text |2 rdacontent

• 337 __ |a unmediated |2 rdamedia

• 338 __ |a volume |2 rdacarrier

• 504 __ |a Includes bibliographical references and index.

• 520 __ |a "Models of Integrity discusses the history of the relationship between contemporary art and the law through the lens of integrity. From the late 1960s, artists engaged conspicuously with ideas, rituals, or documents of the law--an institution subject to intense moral and political scrutiny, yet whose primacy in the social infrastructure made it a widely recognized source of authority to audiences both in and out of the art world. These engagements with law were frequently undertaken in ways that signaled a recuperation of integrity compromised by the very institutions supposedly entrusted with establishing standards of just conduct. Having integrity also meant conveying to audiences the social purpose of an artwork without overstating its political impact or losing sight of how aesthetic decisions might compel audiences to see their everyday world differently"--Provided by publisher.

• 650 _0 |a Law and art |z United States |x History |y 20th century.

• 650 _0 |a Law and art |z United States |x History |y 20th century |v Case studies.

• 650 _0 |a Artists |z United States |x History |y 20th century.