机读格式显示(MARC)
- 000 03439cam a22004577i 4500
- 008 240815t20242024enkg b 001 0 eng d
- 035 __ |a (OCoLC)1452188727
- 040 __ |a YDX |b eng |e rda |c YDX |d CLE |d OCLCO
- 050 _4 |a ML3845 |b .E3213 2024
- 100 1_ |a Eggebrecht, Hans Heinrich, |e author.
- 240 10 |a Musik verstehen. |l English
- 245 10 |a Understanding music : |b the nature and limits of musical cognition / |c Hans Heinrich Eggebrecht ; translated by Richard Evans (Independent Scholar, UK).
- 260 __ |a London : |b Routledge, Taylor & Francis Group, |c 2024.
- 300 __ |a xxii, 151 pages : |b music ; |c 24 cm
- 336 __ |a text |b txt |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 500 __ |a Translation of: Musik verstehen.
- 500 __ |a "An Ashgate book"--Cover.
- 500 __ |a "First published 2010 by Ashgate Publishing"--Title page verso.
- 504 __ |a Includes bibliographical references (pages [145]-146) and index.
- 520 __ |a "In an age when our patterns of music consumption are changing rapidly, musical understanding has never been more relevant. Understanding Music provides readers with an ideal entry point to the topic, addressing 'both the music lover who has made listening to music an important part of his life and at the same time is willing to reflect on music and his encounter with it, as well as the more academically-minded enthusiast and the thoughtful expert.' Its author, Hans Heinrich Eggebrecht, was one of the most influential German musicologists of the twentieth century and yet he is almost unknown to English readers. His published work stretches from one end of the musicological spectrum to the other, with research on historical topics in early music, Bach, Beethoven reception, Mahler and music aesthetics all featuring. Understanding Music summarizes Eggebrecht's thoughts on the relationship between music and cognition. As he says in his preface, the purpose of his book is 'to direct the reader towards the fundamental issues and processes implied in understanding music. What does understanding mean when applied to music? How is the process to be described? What different kinds of understanding are to be distinguished here? What other concepts are implicit in and related to the concept of understanding? How is the relationship between music and the listener who understands it to be articulated? What might correct understanding of music mean given music's multiplicity of meaning and effect? Where are the limits of understanding and what lies beyond? What role do language and history play?'. Eggebrecht's answers to these and other questions amount to a compelling account of how the mind grasps the sounds of music in themselves and what other factors contribute to music's meaning so much to us as listeners."--Provided by publisher.
- 546 __ |a In English, translated from the German.
- 650 _0 |a Music |x Philosophy and aesthetics.
- 650 _0 |a Music appreciation.
- 650 _6 |a Musique |x Philosophie et esthe虂tique.
- 650 _6 |a Musique |x Appre虂ciation.
- 650 _7 |a cognition. |2 aat
- 700 1_ |a Evans, Richard, |e translator.