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- 000 03596cam a2200565 i 4500
- 008 190827t20202020nyuachof bc 001 0deng d
- 020 __ |a 9781588396853 |q hardback
- 040 __ |a YDX |b eng |e rda |c YDX |d BDX |d FDU
- 050 _4 |a ND588.R48 |b A4 2020
- 100 1_ |a Wagstaff, Sheena, |e author.
- 245 10 |a Gerhard Richter : |b painting after all / |c Sheena Wagstaff, Benjamin H. D. Buchloh ; with essays by Briony Fer, Hal Foster, Peter Geimer, Brinda Kumar, Andr茅 Rottmann.
- 246 30 |a Painting after all
- 260 __ |a New York, New York : |b The Metropolitan Museum of Art, |c [2020]
- 260 __ |a New Haven, Connecticut ; |a London, England : |b Distributed by Yale University Press
- 260 __ |a Verona, Italy : |b Trifolio s.r.l.
- 300 __ |a 269 pages : |b illustrations (some color) ; |c 27 cm.
- 336 __ |a text |b txt |2 rdacontent
- 336 __ |a still image |b sti |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 500 __ |a Catalog of an exhibition at The Metropolitan Museum of Art, New York, March 4-July 5, 2020; and at the Museum of Contemporary Art, Los Angeles, August 14, 2020-January 19, 2021.
- 504 __ |a Includes bibliographical references (pages 252-263) and index.
- 520 8_ |a Over the course of his 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works.
- 546 __ |a Text in English, with translations from the German.
- 600 10 |a Richter, Gerhard, |d 1932- |v Exhibitions.
- 600 10 |a Richter, Gerhard, |d 1932- |x Criticism and interpretation.
- 600 10 |a Richter, Gerhard, |d 1932- |x Themes, motives.
- 650 _0 |a Painting, German |y 20th century |y 21st century |v Exhibitions.
- 650 _0 |a Male artists |z Germany |y 20th century |y 21st century |v Exhibitions.
- 700 1_ |a Richter, Gerhard, |d 1932- |e artist.
- 700 1_ |a Buchloh, B. H. D., |e author.
- 700 1_ |a Fer, Briony, |e author.
- 700 1_ |a Foster, Hal, |e author.
- 700 1_ |a Geimer, Peter, |e author.
- 700 1_ |a Kumar, Brinda, |e author.
- 700 1_ |a Rottmann, Andr茅, |e author.
- 700 1_ |a Stockman, Russell, |e translator.
- 710 2_ |a Metropolitan Museum of Art (New York, N.Y.), |e issuing body, |e publisher, |e organizer, |e host institution.
- 710 2_ |a Museum of Contemporary Art (Los Angeles, Calif.), |e host institution.
- 710 2_ |a Yale University Press, |e distributor.
- 710 2_ |a Trifolio SRL, |e printer, binder.
- 752 __ |a United States |b New York (State) |d New York.
- 752 __ |a Italy |b Veneto |d Verona.