机读格式显示(MARC)

• 000 01751cam a2200289 a 4500

• 001 0000838591

• 005 20250906082500.0

• 008 110923s2012 nyu b 001 0 eng

• 010 __ |a 2011039110

• 020 __ |a 9780415590976 (hardback : alk. paper)

• 020 __ |a 9780415590983 (pbk. : alk. paper) : |c CNY234.00

• 020 __ |a 9780203143667 (e-book)

• 040 __ |a DLC |c DLC |d DLC

• 042 __ |a pcc

• 050 00 |a PN1995 |b .B7975 2012

• 082 00 |a 791.4301 |2 23

• 090 __ |a J90-02/X1

• 093 __ |a J90-02 |2 5

• 099 __ |a CAL 022012125964

• 100 1_ |a Buckland, Warren.

• 245 10 |a Film theory : |b rational reconstructions / |c Warren Buckland.

• 260 __ |a New York, NY : |b Routledge, |c 2012.

• 300 __ |a ix, 193 p. ; |c 24 cm.

• 504 __ |a Includes bibliographical references (p. 182-190) and index.

• 505 0_ |a Introduction -- An improbable alliance : Peter Wollen's "The auteur theory" -- Visual stylometry : Barry Salt's "Statistical style analysis of motion pictures" -- Between Shakespeare and Sirk : Thomas Elsaesser's "Tales of sound and fury: observations on the family melodrama" -- From iconicity to semiotic articulation : Christian Metz's "cinema: language or language system?" and language and cinema -- Film as a specific signifying practice : Stephen Heath's "On screen, in frame: film and ideology" -- Against theories of reflection : Laura Mulvey's "Visual pleasure and narrative cinema" -- Early cinema spectatorship : Tom Gunning's "The cinema of attraction(s): early film, its spectator, and the avant-garde" -- Another Lacan : "the universal: suture revisited" -- The death of the camera : Edward Branigan's "What is a camera?" -- Conclusion: teaching theory.

• 650 _0 |a Motion pictures |x Philosophy.

• 650 _0 |a Film criticism.