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• 000 01945cam a2200313 i 4500

• 001 0000839561

• 005 20250913095600.0

• 008 180220s2018 nyua c 000 0 eng d

• 010 __ |a 2017956629

• 020 __ |a 9780847862627

• 020 __ |a 0847862623

• 035 __ |a (OCoLC)1038407379

• 040 __ |a TOH |b eng |e rda |c TOH |d OCLCO |d OCLCF |d CLE |d UAB |d OBE

• 050 _4 |a N7269.K347 |b A4 2018

• 090 __ |a J0-05/X8

• 093 __ |a J0-05 |2 5

• 100 1_ |a Kahraman, Hayv, |e artist.

• 245 10 |a Hayv Kahraman / |c contributions by Wassan Al-Khudhairi, J. Martin Daughtry, Walter Mignolo and Octavio Zaya.

• 260 __ |a New York, NY : |b Rizzoli Electa, |c 2018.

• 300 __ |a 144 pages : |b illustrations (chiefly color) ; |c 26 cm

• 336 __ |a text |b txt |2 rdacontent

• 336 __ |a still image |b sti |2 rdacontent

• 337 __ |a unmediated |b n |2 rdamedia

• 338 __ |a volume |b nc |2 rdacarrier

• 520 8_ |a The vital practice of Hayv Kahraman produces ethereal figures relating to each other in complex grounds. Their grace belies the brutal history of violence and displacement Kahraman s subjects endure, creating an oscillating effect that entices the viewer with its seductive order. The artist combines elements of Italian Renaissance painting and twelfth-century Baghdadi illuminated manuscripts to create an evocative, hybrid vocabulary. Her quietly radical shifts - where traditional Iraqi screens geometric patterns are replaced with sections of a woman's body, or a manuscript figure is presented as doll-like parts - convey the artist's developing exploration of femininity, acculturation, and abstract patterns. Essays by Martin Daughtry, Walter Mignolo, and Octavio Zaya accompany works from all series to date, where graphic patterning attests alternately to violence and to moments of agency, community, and escape

• 600 10 |a Kahraman, Hayv.

• 650 _0 |a Art, Iraqi |y 21st century.

• 650 _0 |a Women in art.

• 700 12 |a Kahraman, Hayv. |t Works. |k Selections.