机读格式显示(MARC)
- 000 04099cam a2200457 i 4500
- 008 240212s2024 nyu b 001 0 eng d
- 020 __ |a 9780815638414 |q paperback
- 020 __ |a 0815638418 |q paperback
- 020 __ |a 0815638426 |q hardcover
- 020 __ |a 9780815638421 |q hardcover
- 035 __ |a (OCoLC)1416125103
- 040 __ |a YDX |b eng |e rda |c YDX |d ICY |d OCLCO |d YDX |d VTU |d PSC |d DLC
- 082 04 |a 809/.933559 |2 23
- 245 00 |a Veil obsessed : |b representations in literature, art, and media / |c edited by Umme Al-wazedi and Afrin Zeenat.
- 260 __ |a Syracuse, New York : |b Syracuse University Press, |c 2024.
- 300 __ |a ix, 221 pages ; |c 24 cm
- 336 __ |a text |b txt |2 rdacontent
- 337 __ |a unmediated |b n |2 rdamedia
- 338 __ |a volume |b nc |2 rdacarrier
- 504 __ |a Includes bibliographical references and index.
- 505 0_ |a introduction: The hijab / Umme Al-wazedi and Afrin Zeenat -- Part 1. Beyond orientalism and colonialism : the lasting influence of the colonial gaze -- Manipulations of the veil in Victorian imaginings of The 1001 nights / Michael James Lundell -- Unveiling the colonial blind spot in The Battle of Algiers / Abdullah A. Hasan -- Roots and routes of the veil in the Maghreb / Rachida Yassine -- Part 2. Immigrant women and the veil in fiction : patriarchy, negotiations, and agency -- Fictionizing the veil : patriarchy, matriarchy, and jihad in Fadia Faqir's Willow trees don't weep / Dallel Sarnou -- Part 3. Television and the veil : reinforcement of the veil -- Veiling and ideology : the Islamic State's use of Iranian TV series to propagate its gender ideals through veiling / Cherie Taraghi -- Part 4. Cinema and the veil : dismantling the master narrative -- Representations of veiling in Bollywood cinema / Nishat Haider -- Veiled anxieties in Mani Ratnam's Bombay / Afrin Zeenat -- Part 5. Toward a new discourse : Who creates the image? -- The enduring controversy over veiling in western Europe today / Sahar Amer and Martine Antle -- The veil in public space : critique, participation, citizenship / Joseph L. V. Donica.
- 520 __ |a "Discussions surrounding the veil often run along essentialist and ahistorical lines, associating Islam with oppression, shame, and honor. Contributing to these stereotypes, the media in both the East and the West obsessively condemn or valorize practices of veiling. In Veil Obsessed, Umme Al-wazedi and Afrin Zeenat present a range of essays to complicate and challenge the dialogue around the veil, exploring its symbolic, religious, and cultural significance. Scholars from a variety of fields analyze and critique the use of the veil in literature, film, television, and the fine arts. Considering the multiple perceptions of the veil, this volume shows that the meaning of hijab can be natural or constructed, real or metaphorical, and religious or political, when it is presented through the media, in the teachings of Islam, and in upholding it as a national symbol of a nation-state. There are inherent tensions among the ideas concerning the power of hijab. Does wearing it give agency to women or does it represent oppression, thereby creating and perpetuating stereotypes? How an individual sees their relationship with the self, family and community, and the nation-state dictates their choice of whether to wear the veil. In exploring the wide range of portrayals, the editors pose critical questions about perceptions of the veil and the dangers of ignoring its multiplicity"-- |c Provided by publisher.
- 650 _0 |a Veils in literature.
- 650 _0 |a Veils in mass media.
- 650 _0 |a Islam in literature.
- 650 _0 |a Islam in mass media.
- 650 _0 |a Islam in motion pictures.
- 650 _0 |a Hijab (Islamic clothing) in literature.
- 700 1_ |a Al-wazedi, Umme, |e editor.
- 700 1_ |a Zeenat, Afrin, |e editor.