机读格式显示(MARC)

• 000 01850cam a2200301 a 4500

• 001 0000839120

• 005 20250905210000.0

• 008 121001s2013 enk b 001 0 eng

• 010 __ |a 2012035856

• 020 __ |a 9780415557603 (hbk.)

• 020 __ |a 9780415557610 (pbk.) : |c CNY243.00

• 020 __ |z 9780203146446 (ebk.)

• 040 __ |a DLC |b eng |c DLC |d DLC |d CEPIEC

• 042 __ |a pcc

• 050 00 |a PN1995.9.P7 |b D42 2013

• 082 00 |a 791.4302/3 |2 23

• 090 __ |a J91-62/X1

• 093 __ |a J91-62 |2 5

• 099 __ |a CAL 022013058148

• 100 1_ |a De Valk, Mark.

• 245 14 |a The film handbook / |c Mark de Valk with Sarah Arnold.

• 260 __ |a London ; |a New York : |b Routledge, |c 2013.

• 300 __ |a xxii, 323 p. ; |c 25 cm.

• 490 0_ |a Media practice

• 504 __ |a Includes bibliographical references and index.

• 505 0_ |a Introduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: using music in film / Paul Rutter -- Post film: technology and the digital film -- MERGING AND IMMERGING MEDIA: DEVELOPING A PROFESSIONAL SPECIALISM. Post-film: production, distribution and consumption in the digital age -- Mapping a career path.

• 650 _0 |a Motion pictures |x Production and direction.

• 700 1_ |a Arnold, Sarah, |d 1980-